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 Run Rabbit Run

 
My New Love 05/16/2012
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I think, for whatever reason, back in my art school days, I wrote off gouache as a viable medium.  Watercolour was the way to go, its transparency being somehow superior to gouaches relative opacity.  Poor naive me.  Missing out all these years on the thrilling roller coaster that is gouache.  I may be exaggerating, but truthfully I didn't realize the colours were so vibrant, or the surface so appealingly matte.  Just look at that owl's hot pink outline!  Zing!

P.S. Those little pink legs at the top of the image belonged to a hot pink deer.  I was cruel and cut the paper clean across it. 
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Rat, Rabbit and Little Rabbit 01/28/2012
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Over the wall with ye, Little Rabbit..
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Mr. Mew 11/20/2011
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A little drawing with a 3d papier mache cat head. 
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Elephant! 11/18/2011
 
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'Terrrrroooooooop! Terrrrrrrooooop!' or whatever sound it is that elephants make...
 
Cat Family Finetuning... 11/06/2011
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The cat family sketch redrawn and coloured in photoshop...
I kind of wish I had a dress like the older sister has on...
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A Couple of Modern Rabbits 11/02/2011
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Generally, when drawing an illustration, I keep the line work controlled and neat, because I like the way it looks when I draw that way; also, I can control the addition of colour more easily.  However, I also really like the way some of my sketches turn out and not wanting to finesse them into a tidy drawing, leave them as is.  This in turn means that if I colour it digitally I am leaving quite a bit of it up to chance, and whether I closed in an area or not. 
Fun!
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Holy Cow! Time to get something up already! 01/06/2011
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     My partner and I are particularly fond of driving out to the country on occasion, and while on these little trips we are always keeping a lookout for abandoned houses.  There are a good number of them northwest of Toronto, and the best ones are old brick farmhouses with a barn or two.  Ideally there are no other houses around, so that when you go sneaking around the property no one gets suspicious.  They are fascinating to explore, and to imagine how it would have been living in the house, and what it might have looked like when it was well kept and cared for.  Kitchens are large, bedrooms are small, and bathrooms are especially wee.  I don't go in the basements, but from my apprehensive vantage point at the top of the stairs looking down, they look uniformly dark, cold, clammy and mighty creepy.
     
     Besides the curiosity-feeding thrill of it all, one of the main reasons we venture into these houses is to take reference photos.  Old houses are a wealth of interesting and unusual compositions, colours and textures.  Degraded paint and wallpaper, rusted metal and aged wood, broken windows, warped floors and walls are all irresistible.  It is also worthwhile to visit the same house again if possible, at a different time of day or in a different season.  

     Below are a few of the images that I am really fond of; they would be beautiful paintings all on their own.  The last one is an especial favourite.
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    Kelly is:

    An illustrator and a puppetmaker.  Her work therefore speaks to her.  Literally.

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